LADY GAGA / THE FAME 20th ANNIVERSARY
Type : Couverture d’Album & design éditorialAnnée : 2026
« LADY GAGA 20th ANNIVERSARY » est une réédition
de son premier album, qui rassemble ici ses
principaux EP sur trois disques vinyles exceptionnels.
Les coffrets comprennent un magazine contenant les paroles,
des images d'archives et des citations de l'artiste,
ainsi que des porte-clés de collection et des pochettes
ornées de visuels inédits.
[En savoir plus... PDF]
LUNATIK
Type: Identité de marque dans un filmAnnée : 2025
LUNATIK était un projet d’une semaine composé
de deux volets principaux : d’une part, imaginer
les décors, les plateaux de tournage, la signalétique
de la gare et l’identité visuelle de la société principale du film.
D’autre part, réaliser les supports publicitaires du film,
notamment un site web, une affiche, un marque-page, etc.
L’un des points forts de ce projet a été l’utilisation de deux
esthétiques différentes pour la conception de la signalétique :
l’une très minimaliste, inspirée de Ron Cobb pour le film Alien,
l’autre de la signature architecturale de Calatrava.
[En savoir plus... PDF]
56e Festival des Rencontres d’Arles
Type: Identité de festivalAnnée : 2026
Les Rencontres de la Photographie d’Arles,
is a major event held in the historic centre
of this Provençal city.
It offers a cultural outing through the narrow
streets of Provence while also moving beyond
this setting, showcasing many different artists
across a range of venues.
Les Rencontres is rooted in a spirit of exchange
and, as its name suggests, of encounters.
[En savoir plus... PDF]
THEATRE NATIONAL DE NICE
Type: Typographie & posterAnnée : 2026
The TNN stand for Théatre National de Nice,
one of the most important institution of this
city of the French Riviera. With its constant
efforts to create a modern space for dramatic
arts, the TNN wanted a new typography (core
of their identity since the 70’.
This typography alongside the new posters
and flyers sets its multicultural values using
New York School Movement and Maximalism
inspirations and therefore its own character.
[En savoir plus... PDF]
L’IMAGE_SATELLITE
Type: Projet éditorialAnnée : 2024
The L’IMAGE_SATELLITE festival is conceived
as an observatory of the photograph, attuned
to the pulses that shape contemporary photos.
The festival distinguishes each year through
a colour system and a photograph, creating
a singuliar visual world for every edition while
keeping the identity that belongs to the festival.
As part of this project, the task was to create a layout
for an edition retracing the different artists and their
projects, with an adaptable system for each edition.
[En savoir plus...]
A la marge (Nom à déterminer)
Type: Mémoire et projet final de mastèreAnnée : 2026
For my Master’s dissertation, the assigned theme was:
“à la marge” (On the margins/fringes). The task is to
create a dissertation that presents research on that
theme and a design project that responds to a research
question based on the research.
“In what ways can the margins of a medium become
active narrative spaces?”
Therefore, I will explore in this dissertation how narrative
works, such as books, series, films or games, tell their
stories in which margins and off-screen spaces hold
the narrative power.
[PDF de présentation]
McDo Chacun sa couleur
Type: Campagne de communicationAnnée : 2025
McDonald’s is one of the most, if not the most famous
restaurant brands in the world, known for its burgers,
known for its yellow “M” and known for its “red”.
However, some years ago, McDonald’s made a shift
and started using a new “green” related to its
goal of more vegetarian and sustainable products.
Instead of using a “red” or a “green”, what if every
value held by the “M brand” were represented
by a colour?
[En savoir plus...PDF]
Fête de la Science
Type: Identité institutionnelleAnnée : 2024
Since 1991, La Fête de la science has been a national
event dedicated to making scientific culture accessible
to a wide audience.
The event encourages dialogue between researchers,
institutions and citizens, taking science beyond its
usual academic setting.
Within this project, the aim is to design a visual identity
that reflects curiosity, transmission and experimentation.
[En savoir plus...PDF]
VIDEOFORMES 2024
Type: Identité de festivalAnnée : 2023
Since 1984, VIDEOFORMES has served as a permanent
observatory for developments in hybrid and digital
contemporary arts, offering a common space for
artists and the public.
Each year, the festival adopts a visual language specific
to its annual edition, anchoring it in its time.Ironically,
the colours and certain elements created for the project
happened to align with those ultimately chosen for the
actual visual identity of the 2024’s edition.
[En savoir plus...PDF]
Galerie de Géologie et de Minéralogie de Paris
Type: Identité institutionnelleAnnée : 2023
The GGMP is a gallery overseen by the Muséum
National d’Histoire naturelle.
At present, the gallery has only a limited visual
identity of its own. Beyond its dedicated socials
presence, the aesthetic associated with the gallery
is simply that of the MNHN’s graphic identity.
The aim of this project is therefore to create
a coherent visual identity that will allow the
GGMP to represent itself across social media,
on flyers, leaflets and posters.
[En savoir plus...PDF]